If the last surviving warrior member of the Zand royal dynasty, which had been engaged in armed rebellion against the Qajar dynasty for nearly a century in southern Kerman, is assassinated following the Battle of Tangestan, and all of his gold, silver, and properties are divided between the contract killers and the new king—the founder of the Pahlavi dynasty—this event could be characterized as a dramatic dynastic termination. In the context of royal heritage, such an occurrence reflects the complete eradication of a lineage and the consolidation of power by the rising dynasty. It signifies not only the violent conclusion of an enduring conflict but also the symbolic dismantling of the material legacy of the Zand dynasty.

His scenario should be described as a dynastic obliteration through political consolidation. In royal heritage terms, it signifies the complete extinguishment of a lineage, where the remnants of the Zand dynasty, already weakened by prolonged rebellion against the Qajar dynasty, are decisively erased. The assassination of the survivor and the redistribution of wealth to the contract killers and the new monarch of the Pahlavi dynasty symbolize the final act of power consolidation. Historically, such events often reflect the ruthless pragmatism of monarchic transitions, where the victors not only claim political authority but also appropriate the material and symbolic assets of their predecessors. This could also be framed as a dynastic usurpation or regime consolidation, depending on the perspective. The Battle of Tangestan and the subsequent events encapsulate a dramatic and turbulent chapter in Iran's royal history.

Name registered in Organization for the Registration of Deeds and Property, Iran and the Royal Court MOSHREF MEHNI
Local Title ZOHR ALI SHAH, The Rebel cavalry leader of south of Kerman with influence in BAM and Bushehr
Great-grandson name ALI VOSOUGHRAD born on 1971. Pan-Iranist Progressive Principal.
The other royal lineageThe sole grandson of the head of the family, descended from the Saadabad royal complex residence in the old Tehran, Iran.

My message to all the Iranian Plateau people and the Iranian parliament
Where Pan-Iranist constituency was born in Khorramshahr, we are the great south – Easy to find the true Persian heritage guardians here and there!

Greenithouse.com hosts 196 hidden posts, revealing powerful insights into the Iranian Plateau and Pan-Iranist progressive topics that shape reality. More information is available upon request.

I will reveal the true reason behind Agha Mohammad Khan's mass blinding of the people of Kerman, the role of Qajari spies in informing about Prince Lotf Ali Khan’s treasure (The Zand dynasty treasure) being moved from the palace in Shiraz, and, finally, how—about more than a century later—the landlord of Jiroft was assassinated by Bakhtiyari contract killers for the treasure. At the time, espionage was relatively easy to implement due to the lack of modern surveillance and communication technologies. Many Iranian people were misled by the illusion of transparency created by the authorities, whether under the Qajars or the Pahlavis. To this day, many still fall victim to the same deceptive tactics. This must come to an end.

Here are the connected dots between the cold case and the crime scene: an unmistakable Simorgh page from the Shahnameh, weaving together the oral history of local communities, the sudden influx of wealth into Ahmad Shah Qajar’s emptied treasury under Reza Shah, and the unexpected prosperity of certain landlords within the Bakhtiari tribe. In the end, Reza Shah Pahlavi indulged in the treasure more than anyone else.

I kindly ask the parliament to vote for a full investigation into counter-espionage efforts and to address this cold case. Meanwhile, I look forward to a more open parliamentary system in the Islamic Republic—one that fosters the development of proper political parties and help to enable the government to lift sanctions.

And let us not forget the conditions of the Iranian Plateau where people may live to witness the unfolding ruins of the future world. I am committed to support the campaigns such as Stop Ecocide International politically as well.

If you're navigating a political countdown involving global tensions, diplomacy, and peace efforts, I’d be happy to offer insights into critical international issues shaped by the Neanderthal man-made power of the Iranian royal heritage and its enduring influence.

In the annals of history, the Siege of Kerman stands as a testament to unwavering devotion, where brave souls fought to shield the rightful sovereign, Lotf Ali Khan, from the storm that sought to extinguish the flame of the Zand Dynasty. Among them were those who, in the face of unrelenting aggression, gave their sight so that justice might yet see another dawn.

Their sacrifice echoes through time, bound to the fate of the blinded prince himself—Reza Qoli Mirza Afshar, whose vision was taken by his own father, Nader Shah, in the turbulence of power. In the lineage of Afshar and Zand alike, they stand among those whose honor was paid in blood and vision. Their courage, their suffering, their undying loyalty shall never be forgotten.

May they dwell in the light beyond mortal sight, where no conqueror’s cruelty may reach them, and where the spirit of Lotf Ali Khan reigns in eternal remembrance.

Discussions about historical events, crimes, and societal injustices typically focus on conveying facts, analysis, and moral reflections. They aim to inform, debate, and preserve truth, often relying on documentation, evidence, and structured reasoning. These discussions serve as a means to understand the past, ensure accountability, and influence perspectives on justice.

A work of art, on the other hand, interprets these same themes through emotion, symbolism, and creativity. Whether through literature, painting, music, or theater, art transforms raw history into something that resonates deeply with the human experience. It doesn’t just present information—it evokes feeling, challenges perception, and allows for personal interpretation. Art has the ability to immortalize suffering, inspire change, and bring beauty to even the most tragic narratives.

For example, a discussion on Agha Mohammad Khan Qajar’s actions in Kerman might focus on historical accounts, political motives, and scholarly analysis. A work of art—a painting, a novel, or a film—might instead explore the sorrow of the survivors, the resilience of the city, or the deeper meaning of cruelty and justice. Both have immense value, but where one informs, the other moves.

The act of intentionally causing blindness to a large number of people would likely be classified as a crime against humanity or an act of war, depending on the circumstances. Under international law, deliberately inflicting severe harm on civilians, including targeting their vision, could be considered a form of torture or cruel treatment.

In a historical context, certain weapons or methods used in conflicts have caused widespread blindness, and international treaties, such as the Geneva Conventions, prohibit inhumane treatment of civilians and prisoners of war.

A Royal Proclamation from one of the the survivors of the Zand dynasty.

With solemn heart and unyielding resolve, I speak as the lone voice of a dynasty unjustly cast into darkness. The savage cruelty inflicted upon the noble city of Kerman by Agha Mohammad Khan Qajar stands as an eternal stain upon history—a brutality beyond comprehension, a devastation wrought upon the innocent, and a merciless act that shattered the very fabric of humanity.

Let it be known that the Zand Dynasty, though driven from power, carried forth the virtues of justice and compassion. Yet, in the aftermath of conquest, Kerman suffered an unspeakable fate—the merciless slaughter of thousands, the blinding of its people to extinguish their future, and the utter ruin of a city that once flourished with dignity. Such atrocities shall never be forgotten, for their echoes reverberate through the ages, a stark reminder of unchecked ambition and cruelty.

To those who bear witness to history, I urge: let this be a lesson carved in stone. May future rulers forsake tyranny and embrace wisdom; may the wounds of Kerman be remembered so that such horrors shall never be repeated. The legacy of the Zand Dynasty shall endure, not in dominion, but in its undying commitment to justice, humanity, and the unwavering pursuit of truth.

Let history judge, and let justice prevail.